Hamlet (Norton Critical Editions) - Shakespeare, William Review & Synopsis

 Synopsis

 "A perfect volume to initiate majors into the discipline and delight of carefully examining presumptions, priorities, language, and structures of both primary and secondary texts."

 -Stephen R. Honeygosky, University of Pittsburgh

 

This Norton Critical Edition includes:

� The Second Quarto text, edited by Robert S. Miola and accompanied by his footnotes, headnotes, and introductory materials.

 � Eighteen illustrations from 1604 to 2008, three of them new to the Second Edition.

 � The Actors' Gallery, presenting actors-from Sarah Bernhardt and Ellen Terry to Kenneth Branagh and David Tennant, two of them new to the Second Edition-reflecting on their roles in major productions of Hamlet.

 � Seventeen critical interpretations, representing a wide range of historical and scholarly commentary.

 � Afterlives, featuring fifteen reflections on Hamlet-from David Garrick and Mark Twain to Margaret Atwood and Jawad al-Assadi.

 � A Bibliography of print and online resources.

 About the Series 

 Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format-annotated text, contexts, and criticism-helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

Review

 Robert S. Miola is Gerard Manley Hopkins Chair of English at Loyola University Maryland. He is the author of Shakespeare's Reading, Shakespeare and Classical Comedy: The Influence of Plautus and Terence, Shakespeare and Classical Tragedy: The Influence of Seneca, and The Comedy of Errors: Critical Essays, as well as dozens of articles on sixteenth-century English literature.

Hamlet Norton Critical Edition Translated by Miola + Shelley Frankenstein Norton Critical Edition 2E

This print pack contains Hamlet Norton Critical Edition Translated By Miola + Shelley Frankenstein Norton Critical Edition 2E.

This print pack contains Hamlet Norton Critical Edition Translated By Miola + Shelley Frankenstein Norton Critical Edition 2E."

Hamlet: Revised Edition (the Arden Shakespeare Third Series),Hamlet (Dover Thrift Editions)

Hamlet is Shakespeare's most popular, and most puzzling, play. It follows the form of a "revenge tragedy," in which the hero, Hamlet, seeks vengeance against his father's murderer, his uncle Claudius, now the king of Denmark. Much of its fascination, however, lies in its uncertainties. Among them: What is the Ghost--Hamlet's father demanding justice, a tempting demon, an angelic messenger? Does Hamlet go mad, or merely pretend to? Once he is sure that Claudius is a murderer, why does he not act? Was his mother, Gertrude, unfaithful to her husband or complicit in his murder? The authoritative edition of Hamlet from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes: -Freshly edited text based on the best early printed version of the play -Newly revised explanatory notes conveniently placed on pages facing the text of the play -Scene-by-scene plot summaries -A key to the play's famous lines and phrases -An introduction to reading Shakespeare's language -An essay by a leading Shakespeare scholar providing a modern perspective on the play

The authoritative edition of Hamlet from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes: -Freshly edited text based on the best early printed version of the play ..."

Macbeth

Arguably the darkest of all Shakespeare’s plays, Macbeth is also one of the most challenging. Is it a work of nihilistic despair, “a tale told by an idiot, full of sound and fury, signifying nothing”, or is it a cautionary tale warning of the dangers of Machiavellianism and relativism? Does it lead to hell and hopelessness, or does it point to a light beyond the darkness? This critical edition of Shakespeare’s classic psychological drama contains essays by some of today’s leading critics, exploring Macbeth as a morality play, as a history play with contemporary relevance, and as a drama that shows a vision of evil and that grapples with the problem of free will. The Ignatius Critical Editions represent a tradition-oriented alternative to popular textbook series such as the Norton Critical Editions orOxford World Classics, and are designed to concentrate on traditional readings of the Classics of world literature. Whereas many modern critical editions have succumbed to the fads of modernism and post-modernism, this series will concentrate on tradition-oriented criticism of these great works. Edited by acclaimed literary biographer, Joseph Pearce, the Ignatius Critical Editions will ensure that traditional moral readings of the works are given prominence, instead of the feminist, or deconstructionist readings that often proliferate in other series of 'critical editions'. As such, they represent a genuine extension of consumer-choice, enabling educators, students and lovers of good literature to buy editions of classic literary works without having to 'buy into' the ideologies of secular fundamentalism. The series is particularly aimed at tradition-minded literature professors offering them an alternative for their students. The initial list will have about 15 - 20 titles. The goal is to release three books a season, or six in a year.

This critical edition of Shakespeare’s classic psychological drama contains essays by some of today’s leading critics, exploring Macbeth as a morality play, as a history play with contemporary relevance, and as a drama that shows a ..."

Macbeth (Second International Student Edition) (Norton Critical Editions)

A tragedy that evokes both pity and terror—now in a thoroughly revised and updated Norton Critical Edition. The Norton Critical Edition is again based on the First Folio (1623), the only authoritative text of the play. The volume includes a revised introduction and new annotations and textual notes. The Second Edition also includes the innovative feature “The Actors’ Gallery,” which presents famous actors and actresses—among them David Garrick, Sarah Siddons, Ian McKellen, Hira Mikijirô, Patrick Stewart, and Kate Fleetwood—reflecting on their roles in major productions of Macbeth for stage and screen. “Sources and Contexts” provides readers with an understanding of Macbeth’s origins in earlier texts, specifically the works of the Roman playwright Seneca, the Tudor historian Raphael Holinshed, and the medieval drama The Slaughter of the Innocents and the Death of Herod. Contexts for the play include contemporary debates on predestination versus free will (Martin Luther versus Erasmus), witchcraft as fiction or fact (Reginald Scott versus King James I), the ethics of regicide (an Elizabethan homily versus Jan de Mariana, S.J.), and the ethics of equivocation (Henry Garnet, S.J., versus—new to the Second Edition—Sir Edward Coke). Eight carefully chosen essays represent four hundred years of critical and theatrical interpretation. Contributors include Simon Forman, Samuel Johnson, Samuel Taylor Coleridge, Thomas De Quincey, Harry Levin, Stephen Orgel, Peter Holland, and, presenting the latest arguments on the authorship controversy, Gary Taylor. Finally, an engaging new selection of Macbeth’s “Afterlives” includes excerpts from Giuseppi Verdi’s Macbeth and related letters, Eugene Ionesco’s Macbett (1972), Bill Cain’s Equivocation (2009), and more. This edition also provides a list of online and print resources.

The Norton Critical Edition is again based on the First Folio (1623), the only authoritative text of the play. The volume includes a revised introduction and new annotations and textual notes."

Hamlet: Language and Writing

This lively and informative guide reveals Hamlet as marking a turning point in Shakespeare's use of language and dramatic form as well as addressing the key problem at the play's core: Hamlet's inaction. It also looks at recent critical approaches to the play and its theatre history, including the recent David Tennant / RSC Hamlet on both stage and TV screen.

 Editions . of. the. play. Bertram, Paul and Bernice Kliman, eds. The Three-text Hamlet : Parallel Texts of the First and ... Shakespeare , William . Hamlet . A Norton Critical Edition . Robert S. Miola, ed. New York: W. W. Norton, 2010."

Hamlet Norton Critical Edition Translated by Miola + Joyce Portrait of the Artist As a Young Man + Chaucer Canterbury Tales

This print pack contains Hamlet Norton Critical Edition Translated by Miola + Joyce Portrait of the Artist as a Young Man + Chaucer Canterbury Tales.

This print pack contains Hamlet Norton Critical Edition Translated by Miola + Joyce Portrait of the Artist as a Young Man + Chaucer Canterbury Tales."

Hamlet and Emotions

This volume bears potent testimony, not only to the dense complexity of Hamlet’s emotional dynamics, but also to the enduring fascination that audiences, adaptors, and academics have with what may well be Shakespeare’s moodiest play. Its chapters explore emotion in Hamlet, as well as the myriad emotions surrounding Hamlet’s debts to the medieval past, its relationship to the cultural milieu in which it was produced, its celebrated performance history, and its profound impact beyond the early modern era. Its component chapters are not unified by a single methodological approach. Some deal with a single emotion in Hamlet, while others analyse the emotional trajectory of a single character, and still others focus on a given emotional expression (e.g., sighing or crying). Some bring modern methodologies for studying emotion to bear on Hamlet, others explore how Hamlet anticipates modern discourses on emotion, and still others ask how Hamlet itself can complicate and contribute to our current understanding of emotion.

 Shakespeare , William . Hamlet : The Texts of 1603 and 1623. Arden Shakespeare Third Series. Edited by Ann Thompson and Neil Taylor. London: Methuen, 2007. Shakespeare , William . Hamlet : A Norton Critical Edition . Edited by Robert Miola."

Romeo and Juliet (First International Student Edition) (Norton Critical Editions)

This much-anticipated Norton Critical Edition of Shakespeare’s best-known play is based on the Second Quarto, widely agreed to be the most authoritative early text. By carefully selecting extracts from sources, scholars, and scriptwriters, Gordon McMullan tells a series of stories about Romeo and Juliet, globally and from their legend's origins to the present day. The Norton Critical Edition includes: · Introductory materials and explanatory annotations by Gordon McMullan as well as numerous images. · Sources and early rewritings by Luigi Da Porto, Matteo Bandello, Pierre Boaistuau, Kareen Seidler, and Thomas Otway, among others. · Critical readings and later rewritings spanning four centuries and including those by Stanley Wells, Wendy Wall, Dympna C. Callaghan, Jill L. Levenson, Nia?h Cusack, David Tennant, and Courtney Lehmann. · A Selected Bibliography.

 William Shakespeare Gordon McMullan. Norgate, 1872); Horace Howard Furness (ed.), Hamlet , A New Variorum Edition of Shakespeare , Vol. 2 (New York: Dover Publications, 1963 [1877]) Appleton Morgan, Hamlet and the UrHamlet: The Text of ..."

Confessions of the Critics

First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

“Feminist Thematics and Shakespearean Tragedy. ... Muller, John P. “Psychosis and Mourning in Lacan's Hamlet . ... 1992. Shakespeare , William . Hamlet . Norton Critical Edition , 2nd. Edition , ed. Cyrus Hoy. New York: Norton, 1992."

Literature of Luther

Given the upcoming five-hundred-year anniversary of Luther's ninety-five theses, it is appropriate to reflect on the impact of Luther's ideas. This collection of essays, which began as conference papers on the literature of Luther, seeks to initiate conversations on the many and varied receptions of the reformer. Most of the essays are interdisciplinary, crossing boundaries between literature, history, and theology. Both Catholic and Protestant voices are well represented. The topics covered are wide-ranging so that for any interested reader several essays will likely strike a chord.

The “In Paradisum” allusion leaves the impression that, in Horatio's mind at least, Hamlet has incurred no guilt in carrying ... Shakespeare , William . Hamlet . Norton Critical Edition . Edited by Robert S. Miola. New York: Norton, 2010."

Hamlet, Prince of Denmark

The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. This second edition of Hamlet, edited by Philip Edwards, brings readers, playgoers and directors into the closest possible contact with Shakespeare's most famous and perplexing play. In the introduction, Edwards explores the possibility that Shakespeare made important alterations to Hamlet as it neared production, creating differences between the two early texts, quarto and folio. Edwards concentrates on essentials, dealing succinctly with the huge volume of commentary and controversy that the play has provoked, and offers a way forward that enables us to recognise Hamlet's full tragic energy. In a new supplementary section, Robert Hapgood discusses recent stage, film and critical interpretations of the play.

1980 Hattaway, M. ' Hamlet ': The Critics Debate, 1987 Watts, C. Hamlet (New Critical Introductions to Shakespeare ), ... C. C. H. Readings on the Character of Hamlet , 1661— 1947, 1950 Hoy, C. Hamlet ( Norton Critical Edition ), 1963, pp."

A Midsummer Night's Dream (Norton Critical Editions)

“In the pure poetry and intoxication of words, Shakespeare never rose higher than he rises in this play.” —G. K. Chesterton This Norton Critical Edition includes: • Shakespeare’s most popular comedy—with its unforgettable love triangles, woodland fairies, and magic—based on Grace Ioppolo’s conflated text (Q1 with F1 variants) and accompanied by her introduction, note on the text, and explanatory annotations. • Five illustrations. • Seven sources for the play, including those by Geoffrey Chaucer, Plutarch, and Lucius Apuleius. • Fifteen wide-ranging critical assessments, including ones by Jan Kott, Margo Hendricks, and Peter Brook. • Adaptations of A Midsummer Night’s Dream by Robert Cox and Henry Purcell and Elkanah Settle. • A Selected Bibliography. About the Series Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts, and criticism—helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

 William Shakespeare Grace Ioppolo. NORTON CRITICAL EDITIONS SHAKESPEARE ANTONY AND CLEOPATRA AS YOU LIKE IT HAMLET 1 HENRY IV JULIUS CAESAR KING LEAR MACBETH MEASURE FOR MEASURE THE MERCHANT OF VENICE A MIDSUMMER NIGHT'S DREAM OTHELLO ..."

A Midsummer Night's Dream (First International Student Edition) (Norton Critical Editions)

“In the pure poetry and intoxication of words, Shakespeare never rose higher than he rises in this play.” —G. K. Chesterton This Norton Critical Edition includes: • Shakespeare’s most popular comedy—with its unforgettable love triangles, woodland fairies, and magic—based on Grace Ioppolo’s conflated text (Q1 with F1 variants) and accompanied by her introduction, note on the text, and explanatory annotations. • Five illustrations. • Seven sources for the play, including those by Geoffrey Chaucer, Plutarch, and Lucius Apuleius. • Fifteen wide-ranging critical assessments, including ones by Jan Kott, Margo Hendricks, and Peter Brook. • Adaptations of A Midsummer Night’s Dream by Robert Cox and Henry Purcell and Elkanah Settle. • A Selected Bibliography. About the Series Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts, and criticism—helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

 William Shakespeare Grace Ioppolo. NORTON CRITICAL EDITIONS SHAKESPEARE ANTONY AND CLEOPATRA AS YOU LIKE IT HAMLET 1 HENRY IV JULIUS CAESAR KING LEAR MACBETH MEASURE FOR MEASURE THE MERCHANT OF VENICE A MIDSUMMER NIGHT'S DREAM OTHELLO ..."

Imagination and Meaning in Calvin and Hobbes

From 1985 to 1995, the syndicated comic strip Calvin and Hobbes followed the antics of a precocious six-year-old boy and his sardonic stuffed tiger. At the height of its popularity, the strip ran in more than 2,400 newspapers and generated a fan base that continues to run in the millions. This critical analysis of Calvin and Hobbes explores Calvin’s world and its deep reservoir of meanings. Close readings of individual strips highlight the profundity of Calvin’s world with respect to a number of life’s big questions, including the things that one values, friendship, God, death, and other struggles in life. By engaging with Calvin and Hobbes as more than “just” a comic strip, this work demonstrates how the imagination remains an invaluable resource for making sense of the world. Instructors considering this book for use in a course may request an examination copy here.

 Shakespeare , William . Hamlet . Norton Critical Editions . Edited by Robert S. Miola. New York: W.W. Norton & Company, 2010. Spitz, Ellen Handler. The Brightening Glance: Imagination and Childhood. New York: Anchor Books, 2007."

Rhetoric and Kairos

The first comprehensive discussion of the history, theory, and practice of kairos: that is of the role “timeliness” or “right-timing” plays in human deliberation, speech, and action.

Hoy, Cyrus, ed. William Shakespeare : Hamlet . A Norton Critical Edition . 2d ed. New York: Norton, 1992. Hunt, Maurice. “ Hamlet , the Gravedigger, and Indecorous Decorum.” College Litera- ture 11.2 (1984): 141–50. Javitch, Daniel."

Romeo and Juliet (Norton Critical Editions)

This much-anticipated Norton Critical Edition of Shakespeare’s best-known play is based on the Second Quarto, widely agreed to be the most authoritative early text. By carefully selecting extracts from sources, scholars, and scriptwriters, Gordon McMullan tells a series of stories about Romeo and Juliet, globally and from their legend's origins to the present day. The Norton Critical Edition includes: · Introductory materials and explanatory annotations by Gordon McMullan as well as numerous images. · Sources and early rewritings by Luigi Da Porto, Matteo Bandello, Pierre Boaistuau, Kareen Seidler, and Thomas Otway, among others. · Critical readings and later rewritings spanning four centuries and including those by Stanley Wells, Wendy Wall, Dympna C. Callaghan, Jill L. Levenson, Nia?h Cusack, David Tennant, and Courtney Lehmann. · A Selected Bibliography.

 William Shakespeare Gordon McMullan ... Among the omissions are most of Shakespeare's monologues and set pieces, the scene in Mantua, and the brawl at the beginning. ... Hamlet , A New Variorum Edition of Shakespeare , Vol."

The Rhetoric of the Page

This wide-ranging and entertaining book explores blank space from incunabula to Google books. Blanks are a paradox—simultaneously nothing and something, gesturing to what was once there or might be there. They are also a creative opportunity for readers as well as writers: readers respond to what is not there and writers come to anticipate that response. Thus, blank space develops literary and ludic applications. Each chapter focuses on one typographical form of what is not there on the page: physical gaps (Chapter One), marks of incompletion such as &c (Chapter Two), and the asterisk as a stand-in for things that cannot be said (Chapter Three). By looking at the early-modern page as a visual unit as well as a verbal unit, this volume shows how the relationship between textual layout and textual content is as productive for writers as it is for readers. Mise-en-page influences readers in the same way that rhetoric influences readers. It is thus possible to speak of 'the rhetoric of the page'.

 Shakespeare , William , The Complete Works of Shakespeare , ed . David Bevington , 4th edn ( New York : Longman , 1997 ) . Shakespeare , William , The Norton Shakespeare based on the Oxford Edition , ed ."

Othello (Second Edition) (Norton Critical Editions)

This Norton Critical Edition includes:·The First Folio text (1623).· An introduction, explanatory footnotes, note on the text, and textual notes by Edward Pechter.· Fifteen illustrations.· Giraldi Cinthio's sixteenth-century story in its entirety, which Shakespeare used for both the plot and many details of Othello.· A generous selection of interpretive responses to Othello from its origins to the present day, including--new to the SecondEdition--those by Stanley Cavell and Lois Potter. Edward Pechter's popular theatrical and critical overview of Othello has been significantly expanded.· An updated Selected Bibliography.

 William Shakespeare Edward Pechter. NORTON CRITICAL EDITIONS SHAKESPEARE ANTONY AND CLEOPATRA AS YOU LIKE IT HAMLET 1 HENRY IV JULIUS CAESAR KING LEAR MACBETH MEASURE FOR MEASURE THE MERCHANT OF VENICE OTHELLO RICHARD III ROMEO AND ..."

Theologies of Language in English Renaissance Literature

Redescribing renaissance literature as a battleground of competing “theologies of language,” Baumlin reads Shakespeare’s Hamlet, Donne’s Songs and Sonets, and Milton’s “Lycidas” within a revisionist history of rhetoric: these works, Baumlin argues, mark stages in the Weberian Entzauberung or “disenchantment” of literature, as they move from the word-magic of medieval Catholicism to a puritan-reformed “rhetoric of certitude.” Historians of rhetoric, of Reformation theology, and of renaissance literature will find this a carefully-argued, controversial, ground-breaking study.

 Hamlet . A New Variorum Edition of Shakespeare . Ed. Horace Howard Furness. 2 vols. New York: American Scholar, 1965. ———. The Riverside Shakespeare . ... William Shakespeare : Hamlet . A Norton Critical Edition . 2nd ed. Ed. Cyrus Hoy."

The Science of Shakespeare

William Shakespeare lived at a remarkable time—a period we now recognize as the first phase of the Scientific Revolution. New ideas were transforming Western thought, the medieval was giving way to the modern, and the work of a few key figures hinted at the brave new world to come: the methodical and rational Galileo, the skeptical Montaigne, and—as Falk convincingly argues—Shakespeare, who observed human nature just as intently as the astronomers who studied the night sky. In The Science of Shakespeare, we meet a colorful cast of Renaissance thinkers, including Thomas Digges, who published the first English account of the "new astronomy" and lived in the same neighborhood as Shakespeare; Thomas Harriot—"England's Galileo"—who aimed a telescope at the night sky months ahead of his Italian counterpart; and Danish astronomer Tycho Brahe, whose observatory-castle stood within sight of Elsinore, chosen by Shakespeare as the setting for Hamlet—and whose family crest happened to include the names "Rosencrans" and "Guildensteren." And then there's Galileo himself: As Falk shows, his telescopic observations may have influenced one of Shakespeare's final works. Dan Falk's The Science of Shakespeare explores the connections between the famous playwright and the beginnings of the Scientific Revolution—and how, together, they changed the world forever.

The Arden Shakespeare . London: Thomson Learning, 1997. Hoy, Cyrus, ed. Hamlet . A Norton Critical Edition . ... Hamlet by William Shakespeare . London: Penguin Books, 1996. Thompson, Ann, and Neil Taylor, eds. Hamlet . The Arden Shakespeare ..."

Shakespeare’s Imagined Persons

Challenging our understanding of ideas about psychology in Shakespeare's time, Shakespeare's Imagined Persons proposes we should view his characters as imagined persons. A new reading of B.F. Skinner's radical behaviourism brings out how - contrary to the impression he created - Skinner ascribes an important role in human behaviour to cognitive activity. Using this analysis, Peter Murray demonstrates the consistency of radical behaviourism with the psychology of character formation and acting in writers from Plato to Shakespeare - an approach little explored in the current debates about subjectivity in Elizabethan culture. Murray also shows that radical behaviourism can explain the phenomena observed in modern studies of acting and social role-playing. Drawing on these analyses of earlier and modern psychology, Murray goes on to reveal the dynamics of Shakespeare's characterizations of Hamlet, Prince Hal, Rosalind, and Perdita in a fascinating new light.

Howard, Jean E., “Crossdressing, the Theatre, and Gender Struggle in Early Modern England," Shakespeare Quarterly, 39 (1988): 418-40. Hoy, Cyrus, ed., Hamlet , by William Shakespeare ( Norton Critical Edition , New York: Norton, 1963)."

Reading Hilary Mantel

From the ghosts which reside in Midlands council houses in Every Day is Mother's Day to the resurrected historical dead of the Booker Prize-winning Wolf Hall and Bring up the Bodies, the writings of Hilary Mantel are often haunted by supernatural figures. One of the first book-length studies of the writer's work, Reading Hilary Mantel explores the importance of ghosts in the full range of her fiction and non-fiction writing and their political, social and ethical resonances. Combining material from original interviews with the author herself with psychoanalytic, historicist and deconstructivist critical perspectives, Reading Hilary Mantel is a landmark study of this important and popular contemporary novelist.

 Shakespeare , William , Hamlet , Norton Critical Edition , ed. by Robert S. Miola (London: W.W. Norton, 2011). Shell, Alison, Catholicism, Controversy and the English Literary Imagination, 1558–1660 (Cambridge: Cambridge University Press, ..."

New Territories in Modernism

Until very recently, Welsh literary Modernism has been critically neglected, both within and outside Wales. This is the first book devoted solely to the study of Welsh literary Modernism, revealing and examining eight key Anglophone Welsh writers. Laura Wainwright demonstrates how their linguistic experimentation constituted an engagement with the unprecedented linguistic, social and cultural changes that were the making of modern Wales, and formed the crucible for the emergence of a distinct Welsh Modernism. This study of Welsh Modernism challenges conventional literary histories and, in more than one sense, takes Modernism and Modernist studies into new territories.

7 Shakespeare , William , Hamlet : A Norton Critical Edition , ed. Cyrus Hoy, 2nd edn (New York and London: Norton, 1991) Shakespeare , William , Henry V, ed. Gary Taylor (Oxford and New York: Oxford University Press, 1984) Stramm, August, ..."